Christian Gobrecht's Seated Liberty design first appeared on the silver dollar in 1836 and on the dime and half dime in 1837. The quarter was the fourth coin to carry it, in 1838, replacing the Capped Bust quarter partway through that year. Striking of the new quarter began on September 29, 1838. The figure was drawn by the painters Thomas Sully and Titian Peale, and Gobrecht engraved it. Unlike the two smaller coins, the quarter had its 13 stars from the start, because they were part of the master die.
The first quarters, from 1838 to 1840, show no extra fold of cloth below Liberty's left elbow and are called No Drapery. In 1840 a reworked Liberty by Robert Ball Hughes, with that drapery added, went onto three of the Seated coins, the quarter among them. The half dollar kept Gobrecht's figure.
Two weight changes produced the major types. In 1853 Congress lowered the weight of the fractional silver coins so they were no longer worth melting or exporting, and the quarter dropped from 6.68 to 6.22 grams at the same 90% fineness. To mark the lighter coins, the Mint put arrowheads beside the date and, on the quarter and half dollar, a burst of rays behind the eagle. The rays shortened die life and were dropped after 1853. The arrows stayed until 1856, by which time coins of the new standard were plentiful. In 1866 the motto IN GOD WE TRUST, first used on the 1864 two-cent piece, went onto a ribbon above the eagle. A law of February 12, 1873 set the quarter at 6.25 grams from April 1, slightly heavier, and arrows returned beside the date for 1873 and 1874.
Philadelphia struck quarters every year. New Orleans struck them from 1840 to 1860 and once more in 1891. San Francisco began in 1855, its first year of silver coinage, and Carson City struck quarters from 1870 to 1878. Very large mintages in 1876 and 1877 helped retire the paper fractional notes of the Civil War era. They left the Treasury with more quarters than it needed, so from 1879 through 1890 Philadelphia struck only small numbers, largely for buyers who gave them as gifts, and 1888-S was the only large issue. Full production resumed in 1891, and Charles Barber's design replaced Seated Liberty in 1892.

























































