Retained Cud (RCD)
A retained cud is a cud that has not fallen out. A section of the die at the rim has broken completely free — the fracture runs from rim to rim and nothing bonds the piece to the die any more — but something holds it in place, so it keeps striking coins. Cuds on Coins puts it in one line: a marginal die break that has not fallen out.
Because the piece is loose, it moves. That movement is what the coin records, and it is the whole of the diagnosis. The design in the retained area is still there — the broken piece still carries its part of the design — but it sits at a different height from the rest of the coin, or slightly out of line with it.
How Does It Happen?
The die cracks rim to rim, enclosing a section at the edge — the pre-cud shape. Then the crack goes all the way through and the section breaks free. What happens next depends on which die it is:
- On the anvil die — the lower, stationary die, which sits inside the collar — the collar wraps around the broken piece and holds it in place. This is where most retained cuds occur.
- On the hammer die — the moving upper die — gravity usually pulls the fragment out. It used to be said that the bolts or clamp securing the die hold the piece, but Error-Ref (reprinted by Cuds on Coins) points out that those grip the die shaft and base, not the die neck where the break forms. Hammer-die retained cuds are rare, and the same writers judge that most claimed ones were probably never fully detached at all.
Held but loose, the piece shifts under each strike in one of two ways:
- Vertical displacement, the more common. The piece sinks slightly below the rest of the die face. Metal fills the extra depth, so on the coin the retained area stands up as a raised plateau, its design intact on top of it. Less often, the piece is pushed the other way and protrudes beyond the die face (Error-Ref's "outthrust" retained cuds), leaving the area sunken on the coin instead.
- Horizontal offset. The piece slides sideways along the break. On the coin, the design inside the break is out of register with the design next to it — a letter split by the crack with its two halves not lining up.
A retained piece may eventually fall out, and the die then goes on to strike cuds.
How to Identify a Retained Cud
- Find the break. A raised line running from the rim back to the rim marks the boundary. Inside it is the retained area.
- Look for movement along the whole break. Error-Ref's standard is displacement or offset along the entire break, not just one segment of it. A step all the way round, or a sideways shift along its length, is a retained cud.
- Expect design on the plateau. The retained area carries its design, raised as a block or shifted. Do not expect it to be blank — that is a cud — and do not treat missing or weak design as the sign. Movement is the sign.
- Check split letters. Where the break crosses lettering or a device, compare the two sides. Offset halves are the clearest evidence a piece slid.
What Gets Mistaken for a Retained Cud
Mike Diamond, in a Coin World column reprinted on Error-Ref, notes that retained cuds are often misidentified, inside grading holders and out. The usual look-alikes:
- A heavy pre-cud crack. A wide, jagged rim-to-rim crack can look dramatic, but if the design on either side is level and in line, nothing has moved. It is a pre-cud.
- An asymmetrical split die. A crack wide enough that the die has spread apart along it, without the piece breaking free. See Split Die.
- A distorted but intact die. Bending, compression and distortion of a die that is still whole can produce some displacement or offset. Error-Ref notes that a rim-to-rim crack can show slight displacement along one segment without being a retained cud; Diamond adds that even modest movement along the whole break leaves some doubt.
Pre-Cud, Retained Cud or Cud?
| Pre-cud | Retained cud | Cud | |
|---|---|---|---|
| The piece | Still part of the die | Broken free, held in place | Fallen out |
| On the coin | Raised crack line; design level and in line | Raised plateau, or design offset, inside the break | Raised, featureless lump at the rim |
| Design in the area | Normal | Present, but raised or shifted | None |
| Defining sign | A rim-to-rim crack with no movement | Movement along the whole break | Missing design |
Notable Examples
Diamond's Coin World column illustrates the two diagnostics with modern coins: a 2010 Millard Fillmore Presidential dollar whose lettering (the E TRU of WE TRUST) sits on a low plateau, with displacement visible all around the break, and a 2001-P Roosevelt dime with a retained cud bisecting the obverse, showing strong vertical displacement and, on one side, design out of register across the break. He also writes about 2007-P Roosevelt dimes, at least seven known, each thought to have a retained cud on the obverse die, and doubts that all of them are fully detached.
Cuds on Coins attributes retained cuds under its RCD numbers, a designator it also uses for pre-cuds and rim-to-rim die cracks.
Collecting Tips
- Movement is the attribution. The difference between a retained cud and a pre-cud from the same die rests on one observation. Check it in raking light, all the way round the break.
- Retained cuds are a window. A retained cud records a span of the die's life between crack and cud, if the piece later falls out. Matching one to the same die's pre-cud or cud makes a progression.
- Be skeptical of hammer-die claims. Most genuine retained cuds are on the anvil die, held by the collar. A claimed hammer-die retained cud deserves a second look at whether the piece really broke free.
- Look past the holder. Grading-service attribution of retained cuds is not always right. Judge the displacement yourself.